The Japanese frigid wind you like is due to the credit of these two fathers and sons.

the gay friend said: please write about Premier Liu for me.

who is Premier Liu? Draw a question mark. Thought for a long time, oh, Liu Zongli.

gay friend, your pinyin input method is very poor.

if you are an egg fry lover, you must be no stranger to Liu Zongli. He is a master of Japanese craft design and a hindrance to the final exams of design majors. He designed an egg frying pan, forged with fine iron from southern Japan, which is easy to use and easy to filter soup.

Liu Zongli and his father, Liu Zongyue, are mountain sculptures of Japanese folklore. However, compared with Liu Zongli, his father Liu Zongyue's aura of 3 meters, regardless of appearance or tone, are more awesome, so that the sons are overshadowed.

for example, when Liu Zongyue wrote a book, he wrote at the beginning:

"A wise man goes to oil painting, but oil painting fails and changes to traditional Chinese painting. Traditional Chinese painting is not good at engraving, printmaking can not be engraved out to do decoration, the decoration can not be done well to learn dyeing and weaving, dyeing and weaving can not learn to do well. I'm going to do historical criticism. "

mean,

it's like taking the AK47 and sweeping the students of the Academy of Fine Arts into a sieve.

foreplay is so long, it finally, get to the point.

Let's talk about this time, a son who was oppressed by his father launched a counterattack against his father (no!) Donovan's story.

the first

the Story of a fetishist Father

my father

Liu Zongyue graduated from the Department of Literature, Imperial University of Tokyo, and has studied English mysticism, Buddhist philosophy, Korean art, etc., and is a proper social elite. Since 1916, he has traveled around Japan to explore rural handicrafts, which have been going on for 20 years. He devoted his whole life to promoting folklore and protecting traditional Japanese handicrafts.

as you know, we like to compile stories for celebrities, such as the Zen stories of Su Dongpo and Foyer. Liu Zongyue this level, of course, there are legends.

during the Edo period, a Muji monk traveled all over the sacred places of Lingshan in Japan. Everywhere he went, he carved a statue of the Buddha, engraved inscriptions on the back of the statue, and left it there. He walked for thirty years and left countless statues of Buddha. One day, Liu Zongyue occasionally won a wooden Buddha and was as ecstatic as we won the Mark Six Lottery. He wrote:

pay attention to extremely local, local, and folk things. It is a natural product of inaction, which contains the true law of beauty. "

so he obsessively summoned his friends to collect ceramics, printing, and dyeing, or fabrics, wood, bamboo, leather, or paper. Pile them all at home. Liu Zongli grew up in this pile of junk.

With strong capital strength, you can easily take a walk-and-go trip.

he walked through the small villages of Fushan, Gao Xiong, and Bowie. He has tasted pomelo from Lunshima and pickles from Nara, tried through the beautiful coir raincoat produced by Tsuyoshi, appreciated the buildings in northeastern Japan, and decided capriciously: "there is a lot of snow in the north, and the handicrafts there are extremely prosperous because it snows for a long time." you have to spend that long and melancholy time by making handicrafts.

after walking so many places, Lao Liu found that the snow clogs in the north

have unique oblique teeth, beautiful and simple shape, very exciting!

the eight-tailed paper will add a red shell to the Portuguese paste and

will appear a unique calm red.

Toyama's umbrella paper has excellent toughness.

the beauty of the blue of the Tibetan blue shredded fabric.

Sublime in their elegance, beige wedding dresses make your appearance regally glittery. This is the part for the unique, as you.

so, after investigating and collecting so many old folk things everywhere, he did a big thing: he set up a large grocery store that was not for profit: the Japanese Folk Art Museum.

collected more than 10,000 pieces of handicrafts, ceramics, fabrics, dyes, carpentry, metalworking, masonry, bamboo, paperwork, leather carvings, and carvings from all over the world. The more distinctive collections are Korean Li Dynasty crafts and folk paintings, Okinawa dyed fabrics, Otsu paintings, British medieval pottery, aboriginal weaving, and so on.

Lao Liu launched the folk art movement in the 1920s, discovered the great cultural wealth hidden in Japan, and brought this trend to China. However, the trend of folk art has also led to the destruction of some traditional advanced ceramics, which is to some extent populist and anti-intellectual.

the second

the redemption of the second son

if Liu Zongli is the grandfather of Japanese folk art, then Liu Zongli is a Japanese craft designer. Ji's dad!

Xiao Liu has been running around her fetish father's room since she was a child, osmosis and talent. It is said that when I was a child, I looked at a piece of pottery made by Yoji Hamada for a long time and said seriously, "this jar is pretty good."

Yasuji Sakamada is the most representative ceramist in the period of the Japanese folk art movement. He is recognized as the holder of folk art pottery, equivalent to the heir of intangible cultural heritage.

he believes that the "perfection" of ceramic works should not be pursued. A certain degree of deformation, glaze shrinkage, and pinholes are the natural results in the process of ceramic production and the natural beauty of the works.

but juvenile heart, the undersea needle! Liu Zongli was dismissive of his father's achievements and indulged in the world of Picasso and Klee. He insisted on studying oil painting at the Tokyo School of Fine Arts. After all, my father said that smart people learn oil painting.

at that time, a design school called Bauhaus was famous in the art world. Liu Zongli accidentally attended a teacher lecture on the return of Bauhaus. The teacher said, "We are now in the mechanical age." we can't deny it; the purpose of art and design in the future must be for the practical use of society to have long-term value. "

Liu Zongli immediately thought of his father. Lao Liu was a hardline conservative who hated machines and thought that machines made it difficult to recover the beauty of craftsmanship. So when Xiao Liu heard this theory, his heart shook! He threw the brush away. "now is not the time to draw!"

A teenager in a rebellious period, ah, always rejoices at the sight of something he can do against his father.

at that time, he got a book by Le Corbusier, the City of tomorrow. "the original form is the form of beauty", the master architect became his spiritual pillar.

he was recruited to fight in the Philippines and decided to die with Corbusier's book, so he secretly stuffed the City of tomorrow in his soldier's rucksack. The book was so heavy that one day he couldn't bear it any longer. He dug a hole in the Philippine jungle and buried it.

after returning from the Philippines, he became an assistant to legendary French designer Charlotte Pelican. Well trained.

in 1950, Liu Zongli became independent and set up a Yanagi design organization, which opened his life.

the butterfly stool is like a butterfly flapping its wings.

has been selected as the permanent collection of MoMA, Vitra, and other design museums. Designing the butterfly stool is a long process: first, make a 1/4-size plaster model, then do the 1:1 model after determining the general direction, and do so for three years.

the stainless steel kettle is the first work in Liu Zongli's kitchen supplies series. Some novel improvements have been made in the handle and outlet, as well as in the whole structure. The bottom area of the kettle is larger, which makes the water boil faster than the ordinary kettle. In addition, the cover has also been widened so that people can put their hands in, making it more convenient to clean. The handle is slightly tilted to lighten the burden on the hand when pouring water.

the stainless steel cooking bowl is improved by Liu Zongli after consulting many cooking experts and housewives. There are several different sizes of diameter 13cm, 16cm, 19cm, 23cm, and 27cm. However, if you look closely, you will find that the shape of each size of the bowl is slightly different. The larger the size, the more rounded the Radian of the bottom surface, and the shape design of the product are tailor-made for size, which makes it more convenient for people to use. In addition, small stainless steel bowls can be perfectly placed in large bowls and are easy to receive after overlap.

tableware series, Liu Zongli's tableware series has three categories of knives, forks, and spoons, of which there are 9 kinds of tableware. To make it more convenient for people to scoop up the soup, it is designed to be wider than ordinary spoons. Matt stainless steel manufacturing is easy to clean and durable. In Liu Zongli's works, it belongs to the category of price close to the people, which is relatively easy to sell.

Southern ironware, a folk craft in Morioka, Iwate Prefecture, northeastern Japan, has a long history of more than 400 years, especially iron pots and pots, which have won numerous praise from culinary and tea experts. The most famous thing about the southern ironware is that its thickness and density are much better than those of ordinary ironware, so not only the heat preservation is excellent, but also when heating, the temperature can spread completely from a single point to the whole pot body, not only not easy to scorch, but also because of fast and uniform heat conduction, it can double the delicacy of the dishes cooked.

his furniture and household utensils have continuously won numerous international awards, including the first prize in the Japanese Industrial Design Competition and the Milan Gold Award in Italy.

in his works, there are household appliances, transportation, public facilities, and so on. Among them, the most classic ones such as butterfly stool and leg stool have been permanently collected by the Museum of Modern Art in New York, the Amsterdam Municipal Art Museum in the Netherlands, and the Louvre Museum in France.

in 1955, Liu Zongli ran with Watanabe and his party to the pine house in Ginza and opened a small shop that could not sell any goods for ten years. The bowl he designed was rejected by the department store because it was undecorated. Fifty years later, this minimalist design is popular all over the world.

Liu Zongli's deep resentment of his father is evident. One of the most powerful things he did was to write a column in Folk Art magazine in 1984, choosing a piece of handicraft at home and abroad in each issue and learning the strokes of his father's prose collection "Japanese Handicraft" to describe the modern mechanical design. He wrote a gracefully curved tie post and a wooden toy car that was suitable for the baby to grasp.

Father Liu Zongyue once wrote arrogantly in the Theory of Folk Art: "there is nothing that mechanical products can surpass the beauty of handmade products." There is no hope for the future. " However, Liu Zongli's 42 columns put his father's judgment on the soles of his feet.

after doing this, he finally recovered from his secondary two diseases. He can make peace with his father.

Liu Zongli's butterfly stool won the Milan gold medal for design, becoming the first Japanese to participate in the Aspen International Design Conference. "feel it with your hands, and you will have the answer," he said. It was taught by my father. "

but Jiang is still old and spicy. Liu Zongyue predicted 50 years ago:

"although it cannot be said that complex things are ugly, simple things should be taken care of by more favors, and there is a deep relationship between beauty and simplicity and soundness. "

after all, he didn't leave his father.