In those years, the Japanese dramas I loved

the love of Japanese drama has been with me for more than ten years, which can be described as the bone of love. Make a list, especially according to the timeline, and review my way to Japanese TV series.

I consider such a play as a masterpiece that is aware of and thinks about life. In fact, what matters is not what the play is watching, but what the people who watch the play think.

Love Story in Tokyo in 1991

when people talk about Japanese dramas (especially modern Japanese dramas of the post-90s generation), they must mention this drama. Even in Japan, this drama is also a very important work of transformation. The role of the producer, the model of the theme song and the type of the play are all the production methods of Japanese drama that continue to this day. Today, 20 years later, there is no sense of disobedience in terms of the structure of the script, the performance of the actors, the trend of the story, and the tension of the play. In particular, it is worth giving a thumbs up at the end without giving a reunion-like ending to the audience. In fact, I never thought that Lixiang was the perfect lover, of Wanzi, but I vaguely thought that if I were finished, I would love Lixiang, who lived a more authentic and more natural life than Limei (how precocious it was when I was a primary school student).

it was from this show that I began to know that Japanese TV dramas are very good, but I'm not really a fan of Japanese TV dramas, because I don't know the difference between Japanese TV dramas and Hong Kong and Taiwan dramas, domestic dramas and dramas from other countries.

in the name of love in 1992

tells about the impact and self-reflection of love and friendship that began when they were students. But at that time, I was too young to understand the practical significance. This is also the impression that Yosuke Eguchi once again played the role of a playboy outside is actually a good man who is invited and dedicated. On the contrary, it was the seriousness and ruthlessness of the second half of Tang Ze Shouming that let me see his acting skills.

later, I learned that love, a very famous early idol drama in our country, also referred to this book (not the copied white paper on love, hey, don't be so direct). It's just that there are both romance and idols in the national opera, but less of the poetry of the original.

specially selected this stills. Because every time I see this scene, I always think of Xi Murong's poem: let me shake farewell with you /gently pull out my hand /know that yearning takes root /clouds day /solemn and gentle mountains and rivers

Let me say goodbye to you /gently pull out my hand /years come to a standstill /tears converge into a river in my heart and stare helplessly. I can't find a flower to send to each other at the ferry port /put my best wishes on my skirt /and tomorrow /tomorrow

looking back on him in 1993, I will see him

this is a drama that was despised by the Chinese at that time. I think it is mainly because of the title. At first glance, it looks like a pure love drama, but in fact, it is a medical drama, which makes it impossible for many audiences who want to see the pure love of the leading actors and actresses. In addition, the wind of Eastern Love prevailed at that time, and the actor Yuji Shida was stereotyped, but in this play, Zhitian played a cold-faced doctor with a complex character and even some darkness, and this great gap also led to the discomfort of the audience. However, Akita Sang has the courage to challenge two contrasting roles and both of them are quite successful, which proves that he is an excellent actor. To this day, I can still recall Dr. Sima's locked eyebrows and lonely eyes.

in this show, I found for the first time that "the bad guy" is not necessarily hateful, and "the good guy" is not necessarily cute. For the first time, I know that the ending of the story has to stop abruptly at the high tide in order to have shocking power (a few years later, the suspect of Mori Higano also used this technique). The giant white tower in 2003 once swept the style of medical drama in Asia, but it was mostly imitated and rarely surpassed. However, this original drama, which is ten years earlier, is a rare comparable work, except that one criticizes the system and the other criticizes human nature.

in 1994, Tokyo Cinderella

is also a problem in the translation of the title of the play. Is the translation so straightforward that it is afraid that the Chinese people will not understand it? The original title of the play is "Sister", and I didn't know it until I had the Internet many years later. At that time, the writer did set up a lot of foreshadowing to express the feelings between brother and sister, and used a bright and dark line between the rich and handsome and the pure loser to make a comparison. Unfortunately, when I was young, I was misled by the translator and only cared about the part of Prince Charming and Cinderella. It is also blamed that Uncle Tang Ze Shouming was extremely handsome when he was young. Didn't playing this elegant and elegant prince win the hearts of female fans between the ages of 8 and 80?

Hey, this stills look familiar, heh heh, I'm looking for a comparison. Well, Uncle Tang Ze was unmatched in the limelight at that time, and even the great god Kimura was very taboo.

1994 Police Department Kooku Ren Saburo

this is a very Japanese drama of Benji reasoning. The show tells you who the criminal is at the beginning, but it still makes the audience unstoppable, which is still unparalleled in Asian reasoning dramas (although the later developed network let me find out that this show also has an ancestor, or an American TV show). First of all, it is a great screenwriter like Yuki Miyani, who really inherited Sherlock Holmes' meticulous reasoning style, making each unit story focus on "reasoning" rather than "suspense", meaning in the process rather than the result. After the performance of Masahiko Tamura and Masahiko Nishimura with a team of (gui) Harmony (yi), plus inviting a big star to be a criminal in each episode, it is definitely a guarantee of audience ratings. The show was filmed for the second and third seasons, and several SP, films continued to be as good as ever.The quality makes the audience shout and ask to shoot again and again (especially the final piece), and there is even a set of DVD featuring a short film starring in Jinquan as a detective (it is definitely the bad taste of Mitani). Miya has always been famous for writing comedy books, and this one is no exception. All kinds of jokes come out frequently, but it is not easy to be funny but not vulgar.

in my opinion, this is a Japanese drama that goes beyond the type of drama, and it is a divine drama. At that time, I watched the dubbing version on the TV station. After watching the original version a few years later, I couldn't help praising the dubbing actors of that year. The divine restoration of the protagonist and supporting role made me think about this play until now.

A long holiday in 1996

this is the ancestor of Chinese drama chasing Japanese (pure love drama). The biggest success of this play is to sell the god Kimura. But at that time, the great god was not a great god, and his acting skills were still immature, probably in line with his role in this play, a fresh college student who was at a loss about the future when he first came out of the campus. If you ask me, the biggest contributor to this play is Tomoko Yamaguchi, whose powerful aura and impeccable acting skills prop up the whole series and form a good driving force, setting off Kimura's youth and simplicity. It is said that many years later, when Kimura asked who was the most admired actress, his answer was always sister Tomoko.

the most desirable thing about this play is not that Raiming falls in love with Xiao Nan's brother-in-law, but that Don\ & # 39 witt Worry, Be Happy's optimism. When you are in trouble or confused in your life, you might as well give yourself a long holiday, and it's not a big deal until you walk over and look at it.

it is also worth mentioning that the supporting roles in the play, Matsuko Matsuko, 19, and Hiroshi Ryoko, 15, all shine in the play, even though the latter is only a glimpse. And the real second to kill me is the male Erzhu wild Neifeng, with a little ruffian, although not a prince-like but equally handsome scum.

1996 Angel Love

this is also a series that must be replayed during the summer vacation of that year (many years before the return of pearls). The immeasurably pure love between the mentally handicapped girl played by Hisui (who is now supposed to be autistic) and the battered journalist played by Di Zhenichi may be said to be too dreamy today, but the screenwriters of Japanese dramas have the ability to make such a dreamy plot into reality and let people indulge in it without knowing it at all. however, the screenwriters of Japanese dramas have the ability to put such dreamy plots into reality and let people indulge in them.

there are countless classic scenes in this play, such as Youxiang's meaningful line "A Chul's Wings are broken" and that eye-catching broken wing work, which was instantly lost when she named it Love. He went back to the abandoned orphanage a few weeks after the pressure disappeared and saw the broken wings all over the ground. She lay prone on his chest, listening to the beating of her heart until nothing could be heard. The wing he put together at the last moment of his life; and the long shot of the last group of works exhibition.

all the disabled dramas in Japanese TV dramas have very considerable ratings. This is a beautiful life, and then a liter of tears. The writers of Japanese dramas know very well how to poke into the depths of your soft heart.

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finally, a little gossip. In this play, there is also the young sister Yoshiko Sasahara (who plays the female journalist who adores the male lead). It is said that she got this role because she became a lover of Tetsuya Komura. It was also this role that allowed her acting skills to be approved, and began to make a big foray into the Japanese opera world.

because of the age and lack of stills, I linked to a theme song, and because of this play, I got married with Mr.Children, which is the first rock band I know in my life.

the road to the wedding dress in 1997  

and another warm drama seen by Nagai, this time the main play is the father-daughter card, and it is the father-daughter who is not related by blood. It is also through ingenious comparison to link up the love of the previous generation and the love of this generation. Although the lead writer is writing about love, it is actually more affection, which is also a major feature of Japanese TV series. Its emotional card is always closely related to the family.

the hero of this play is the anti-town history who has not yet left abruptly. In the play, the heroine said why she fell in love with him because "he picked up the child's eyes so gently." later, some netizens commented that "there is a milky way in the eyes, warm and cured". Divine comment!

it is reported that the theme song of the show, Can you celebrate performed by Naimi Ansui, had a great tendency to catch up with the wedding march in Japan at that time, and the role of Japanese drama in the promotion of Japanese pop music is evident (I still remember the appearance of this film, Tetsuya Tatsuya and Tetsuya Komura). Also because the stills can not be found for a long time, the theme song is presented. CAN YOU CELEBRATE? jump big search line

another classic masterpiece of Yuji Zhida in 1997, it is said that in Japan, Qingdao Junzuo is more deeply rooted in the hearts of the people than Yongwei Wanji. Because this play is the omni-directional display of Daiwa's national character, small potatoes, big vision, this is also another type of Japanese drama (workplace drama) breakthrough. Although the show did not shoot the second season, quite a few SP, even made several films several years later, the first two starring Zhita, which is a continuation of the plot, and the box office is very good. From a small screen to a large screen, this is also quite common in the Japanese drama world, such as this one, there is a symphonic lover's dream in the near.

1998 God, please give me a little more time

finally came to my enlightenment drama. At that time, I was 17 years old as Miss Kyoko (it seems that I was really born on the same day as her in the same year). I really understood the helplessness and pressure of high school schoolwork. Of course, I was in Japan.Ben's real life can be more unscrupulous to squander her youth, so she went after Ishikawa Qiwu, triggering a story of HIV-infected people falling in love with musicians. Although there is an important plot, but in fact, it is also a pure love to the show, so that in the end a little bit of a bad end, but on the whole can not hide the star temperament of the show. The so-called seeing Takeshi Kaneshiro mistakenly for life, probably started from this play. At a young age, Miss Kyoko was able to compete with the powerful Takeshi Kaneshiro without stage fright.

this is a drama that really makes me understand what Japanese dramas are. It is different from domestic dramas. A series has only about a dozen episodes. Unlike Hong Kong dramas, it only talks about one theme at a time, and it is different from dramas in other countries. It pays attention to the collocation of pictures, music and dramas. It pays attention to every detail, and its writers can dig up very profound connotations. It talks about love and affection from many angles. It is always sharp when revealing problems but affectionate when solving problems. It represents the highest level of Asian TV drama production at that time, and it is also a model for later idol dramas to pay homage from time to time.

also from the beginning of this play, I came into contact with broadcast media other than TV stations, so I began to watch a variety of dramas. In addition, the soundtrack of this play was created by a famous thinker, and later it can often be heard in TV dramas of our country. Their previous soundtrack for the White Paper on Love, which played a supporting role by the Great God, and the soundtrack for Love in 2000, which was also starring Takeshi Kaneshiro, are often used as background music in major TV shows and dramas. Perhaps this can also explain why many domestic blockbusters now turn to Japanese soundtrack masters to make music.

secretly in love in 1999

this show is not a five-star must-see series, but it is the first show in which a single-minded girl falls in love with a man (even before a kiss). The vitality and charm of Kyoko girl when she was young is indeed irresistible. What is impressive is the scene at the end, "I can only see you cheering for me in the world", which is really fascinating with KinKiKids's to heart,. I have talked about the soundtrack in Japanese TV dramas more than once. Japanese TV dramas and music have seamless wonderful effects, which is also an important reason why I love Japanese TV dramas.

conditions of witch women in 1999

this is also a popular drama at home and abroad. In addition to being good-looking, the topic of love between teachers and students has caused a sensation. Japanese TV dramas have known about topic marketing for a long time and are definitely ahead of Asia. But like God, although there is a taboo topic, it is still the essence of pure love drama. "it's just that the lover I fall in love with happens to be 17 years old."

and I was as amazed at the beauty of the light as the unknown in the play. The beautiful boy with red lips and white teeth under the cherry tree cried with rain, "teacher, are you here to tell me that you don't love me?" What kind of temptation is that? who can say not to love?

what is even more popular than this show is that Utada Guang's theme song first love, has to mention Japanese excellent musicians once again, worthy of being the leader of the Asian music industry.

Beautiful people in 1999

this is not one of those popular dramas, but why mention it? First of all, this is Noshima Noshima's screenwriting work (Noshima can also be regarded as a big name in the Japanese screenwriter circle). Secondly, this play is starring Masawa Tamura. In Japanese drama circles, basically, a good screenwriter + a good actor is equal to the guarantee of quality. In fact, the story itself is not tortuous, but Nashima is always the kind of playwright who can brew mellow wine even if it is a plain story. And the mind of this play is in each episode of the flower language, in line with the theme and do the lead. A beautiful person not only refers to a woman who becomes more beautiful by changing her appearance, but also refers to a man who is unconsciously attractive because of his inner beauty (although Tamura is an uncle), and those flowers and plants have become a witness to the love and beauty between them.

Takuo Ozawa, who plays the violent husband in this play, is also so good that the good people who later saw him, including star gold coins and benevolent doctors, were slightly taken aback. How can such a villain face play the leading role?

1999 Ice World

this is a suspense play, because it is a drama written by Nozawa Shang. Including the sleeping forest starring Kimura and the ghost of Baker Street in Conan's highest-grossing theatre, his books have a bleak temperament. Later, I was not even surprised when the news that he suffered from depression and committed suicide came out. The screenwriter who used his life to write the screenplay was always particularly eye-catching.

some people say that Matsujima Caiko really plays a witch in this play, attracts all men, regardless of danger and finally dies in love with her. Of course, the real killer came out that I was a little embarrassed, but apart from that, the rhythm of this show is just right, although it is not the best example of suspense drama in Japanese TV series, but it is worth reviewing.

beside the question, why do I feel that Takeano Neifeng shows some signs of reverse growth? this one is even younger than the previous appearance during the long holiday.

these are the most respected series of Japanese dramas I have seen in the 1990s, and they are the ones I caught up with in the golden decade of Japanese dramas. Next, I will focus on recommending shows after 2000, where there will be more diverse types of dramas.